Al-Shaima, the sister of the Prophet Muhammad in infancy, except in Bani Saad between her mother, Halima al-Sa’dia and her father, a family that acknowledges to the Prophet the goodness and blessing that has befallen their homes since he came as a baby, except for the stubborn Shaimaa who hates Muhammad hatred and buried hatred, the news of the Islamic call spreads, and Begad is allied with the enemies of Muhammad While Shaima Shadia Bani Saad, she is disappointed with the magic of her voice, Pijad and praises her tribe with the service of fighting Islam, migrating to Medina, and her husband is allied with the Jews from Bani Qurayza and Bani Nadir,
This 1981 Bolshoi production performed in the concert hall of The Kremlin is by far the best available, despite the more ‘historical’ picture and mono sound. The production itself is a very classic period production, with utterly authentic costumes and aptly dramatic sets. There are even horses on stage. The depiction of the Don Cossacks’ Khan Konchak and his tribe is colourful and historically informed in one. Needless to say, the scene of the Polovtsian Dances is spectacularly presented with great choregraphy and terrific dancing, in the league of the Spartacus of Bolshoi, no less.
After the Battle of Algiers, France and its army exported, as true experts, anti-subversive methods to Latin America and the United States in the 1960s. After more than a year of investigation in Argentina , in Chile, Brazil, the United States and France, the director collected, sometimes under the cover of a hidden camera, recorded conversations, the exclusive testimonies of the main protagonists. From General Aussaresses to former Minister of the Armed Forces Pierre Messmer, including General Reynaldo Bignone (head of the military junta in Argentina from 1982 to 1984), General Albano Harguindéguy, General Manuel Contreras, and Generals John Johns and Carl Bernard, this investigation gives us a hidden reality of the country of Human Rights.
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