Hamlet comes home from university to find his uncle married to his mother, and his father's ghost haunting the battlements and scaring the watch. Then his father's ghost directs him to seek revenge.
Octavius Caesar (later renamed Augustus Caesar, son of the murdered Julius Caesar), Marc Antony, and Lepidus form the triumvirate, the three rulers of the Roman Empire. Antony, though married to Fulvia, spends his time in Egypt, living a life of decadence and conducting an affair with Queen Cleopatra. In Antony's absence, Caesar and Lepidus worry about Pompey's increasing strength.
Alceste hates all of humanity, denounces its hypocrisy, cowardice and compromise. But he nevertheless loves Célimène, flirtatious and slanderous. The virtuous thus launches into battles lost in advance which force him to flee.
A man's life is upended by increasingly threatening phone calls demanding he leave a review for a paperweight purchased online.
Cher... and Other Fantasies is a 1979 prime time network special starring singer and actress Cher, featuring songs from her latest album "Take Me Home". In this special, Cher finds herself trapped in a strange building, where various fantasies await her behind every door. The memorable opening number “Aint Nobody’s Business” sees Cher on a tour of fashion from Eve in the Garden of Eden to disco at Studio 54 all while parading in dozens of stunning Bob Mackie creations. There's also a roller skating fantasy sequence and a second Garden of Eden moment when Andy Kaufman shows up as Adam and Cher plays the snake. Elliot Gould guest stars as a painter who resides in the building, Shelley Winters turns up in a skit about acting and Lucille Ball plays a cranky old washerwoman. To date this is Cher's last traditional variety-format special. The program was nominated for a 1979 Primetime Emmy Nominee for Outstanding Costume Design for a Limited Series or a Special for Bob Mackie and Ret Turner.
From committing crime in order to eat to surviving an uncaring treatment facility, these youth face unimaginable circumstances, but this musical brings authentic voices and their unseen stories to the screen.
The movie is a fictionalized account of a disgruntled cop who has been wrongly implicated in a torture video that went viral. It begins on his last night of duty, as he is about to leave for abroad for better job prospects.
The story of whisky has been told many times. But this film takes a different view, showing how it has been shaped by geology and climate, by tales told on the side of the road and in the corners of pubs. Whisky is a product of folklore and myth, of music and alchemy, of chance rather than design. This is the twisting, shifting and multi-layered tale. In this journey through the lesser-known parts of Scottish whisky culture, we follow spirits writer Dave Broom on his quest to gain a deeper understanding of his national drink. While whisky has never been as popular, it is often seen in the context of being a brand which sits outside people’s lives. It’s often thought of as a drink which speaks of the past rather than engaged with a dynamic present.
Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.
During the Great Depression, Kate (Greer Robson) is a 13-year-old girl living on New Zealand's South Island. When her mother dies and her father is offered a job in Wellington on North Island, Kate is sent to live with an aunt. The girl runs away to find her father, hopping onto a boxcar and befriending a fellow fugitive, Patrick (Peter Phelps), an emotionally battle-scarred WWI veteran fleeing the authorities after injuring a repo man. Pretending to be father and daughter, Patrick and Kate use each other for cover as they make their way across New Zealand, sleeping under the stars and championing the rights of destitute farmers and homeless squatters whose fortunes have been wiped out by economic hardship.
Blood,boobs and video games in a feel-good comedy! Doctor Kong: Cutting up the Competition follows New York plastic surgeon Hank Chien's year-long journey as he challenges the Donkey Kong world record. Dr. Chien's successful crowning as 2010 champion makes the Guinness Book of Records amid media and fan explosion. The classic gaming world scores high points with this affectionate homage.
In a groundbreaking project developed by MISCELLANEOUS Productions, a group of multi-barriered youth collaborated with a team of professional artists on POWER, an evening of solo performance pieces, ensemble drumming and dance numbers, all of which take a raw, honest look at the things that matter to youth in the community: power, racism, immigration, poverty, violence, sexism, addiction and love, presented at Vancouver’s Rhizome Café. This documentary focuses on four young artists -- Roberto, Natasha, Dakota, and Michael -- showing their struggles and their transformation through performance.
The civil war rages in the Central African Republic, Linn (35) leads a team of aid workers who are working tirelessly to save lives in a field hospital outside a massive refugee camp. When a Muslim man, persecuted and in mortal danger, seeks refuge, Linn faces a critical decision. A growing mob and Christian militia demand his handover. As the head of security, Linn must act quickly, brutally balancing the safety of her team with the value of a single life. Based on the true events that unfolded during 15 tense hours at a Doctors Without Borders hospital in Bangui on Christmas Eve, 2013.
Dear Enemy tells the true story of the director’s grandfather who became friends with a German officer during the WWII German occupation of Albania while hiding a partisan, an Italian soldier and a Jewish watchmaker in his cellar.
In Bettina Büttner’s exquisitely lucid documentary Kinder (Kids), childhood dysfunction, loneliness, and pent-up emotion run wild at an all-boys group home in southern Germany. The children interned here include ten-year-olds Marvin and Tommy. Marvin, fiddling with a mini plastic Lego sword, explains matter-of-factly to the camera, “This is a knife. You use it to cut stomachs open.” Dennis, who is even younger, is seen in a hysteric fit, mimicking some pornographic scene. Boys will be boys, but innocence is disproportionately spare here. Choosing not to dwell on the harsh specifics, Büttner reveals the disconcerting manner in which traumatic episodes can manifest themselves in the mundane — a game of Lego, Hide and Seek, or Truth or Dare. Filmed in lapidary black-and-white, Büttner’s fascinating film sheds light on childhood from the boys’ characteristically disadvantaged perspective — one not yet fully cognizant — leaving much ethically to ponder over.
With distinctive visual flair, this compilation of videos showcases more than a decade of music from popular ska band No Doubt, while behind-the-scenes clips and an interview with the band members give fans an inside look at the group.
Laura calls her boyfriend Fernando repeatedly to demand answers but he never picks up and it always goes to voicemail. Heartbroken, Laura returns to the park where they used to go jogging together.
Gabriel is a happy man. On the way to take his daughter on a field trip he stops at a gas station. Everything changes when he spots her being forced into a van that takes off. Soon he will realize that is just the beginning of the end
The last day of the first year of the young Slovak Republic is coming to an end. Everyone is celebrating. The king of the underworld, Efendi, and the President. Only the President has nothing to celebrate. The President, who himself has trodden the path to office, refuses to appoint his clever Chalanis as Minister. The President will become uncomfortable. How to make him listen to what the President wants? The President's son is beaten up in broad daylight by an organised group and taken abroad a few months later. A young Secret Service agent, Oskar, gripped by conscience, confesses to an investigator that he took part in the abduction at the behest of his superiors...
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