This is the 58 minutes Hulu version which contains spoiler/reveals throughout the special.
During the stay home period after the declaration of a state of emergency, six high school classmates gather remotely and discuss the truth of a former classmate who died from suicide. However, they begin to get involved in a real-time serial murder.
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
Four sisters – Caroline, Joanna, Paulina, and Vicky – reunite for the Christmas Holiday in a Yorkshire mansion. However, their estranged father, James, joins in for the first time since he left the family behind decades prior. The group attempts to get through the holiday despite comedic misunderstandings, while also uncovering the long-buried secret that tore their family apart, so many years ago.
Anbu, a young carrom player in North Chennai becomes inadvertently involved in an ongoing conflict between two local gangsters.
Wedding Planner, Kelsey Wilson, is about to have her big break: planning her beloved cousin's lavish and exclusive wedding. Everything is going smoothly until Connor McClane, a devilishly handsome private investigator, shows up and turns Kelsey's world upside-down. Hired by a secret source, Connor quickly disrupts the upcoming nuptials but wins Kelsey's heart in the process.
Living the mundane existence of a professional bodyguard, always in the shadows of his clients, Ruben decides to make a change that will finally give him a personal connection outside of his solitary world.
A fund-raising event organised by Comic Relief.
Flicka and Toby help out a struggling stable owner and her teenage daughter.
Ten fishermen from Cornwall are signed by Universal Records and achieve a top ten hit with their debut album of Sea Shanties. Based on the true-life story of Cornish folk band, Fisherman's Friends.
Ultra Music Festival 2015. In the middle of the pouring rain. Dash Berlin wrote history surprising the crowd with one of the most emotional, powerful and energetic sets the festival has ever seen and proved to be right at home at the big main stage.
Diane doesn't hesitate for a moment when her best friends, Thomas and Jacques, ask her to be their surrogate mother. It is in these hardly ideal circumstances that she becomes infatuated with Fabrizio.
Seville, Spain. Juan Santos, a convicted petty criminal, gets out of jail for a day to celebrate with Triana, his wife, the first communion of their daughter Estrella.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
Hong Kong, 1978. South Korean actress Choi Eun-hee is kidnapped by North Korean operatives following orders from dictator Kim Jong-il.
Archival footage of an American Nazi rally that attracted 20,000 people at Madison Square Garden in 1939, shortly before the beginning of World War II.
A struggling Gujarati businessman ventures into the world of China where he gets a brilliant business idea that could change his life forever.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
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