They Are Watching (2024)

Chasing Zombies

This documentary was shot at the George A. Romero Filmmaking Program, with special effects by Tom Savini's Special Make-up Effects Program. The story involves iconic zombie extras from the original Dawn and Day of the Dead who, decades later, find themselves in demand at Pop Culture Comicons. We chase down these zombies to see why these early Romero films resonate so much with fans. Meanwhile, the crew shooting this film set out on a horrifying adventure of their own.

Gasping for Air

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Nullarbor

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

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1-2-3

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

1-2-3

“1-2-3” explores the harrowing tale of human trafficking in the country.

way

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

1-2-3

Big Dick Energy

Join Vladimir, a Russian former KGB agent, as he investigates what "Big Dick Energy" really means.

Franz

The meticulous daily routine of a young man is shattered by the shocking discovery of an unexpected presence in his home.

Matrix

The film is composed of receding planes in a landscape: a back garden and the houses beyond. The wooden lattice fence, visible in the image, marks the border between enclosed and open, private and public space, and forms both a fulcrum for the work and a formal grid by which the shots are framed and organised.

Los pasos perdidos

An Argentinean family living in Spain has their lives rocked when a famous author from their home country claims that their daughter is actually his granddaughter who was lost during a war.

The Farmer Forsworn

Momentos de Tensão

The Good Life

Women, money, power, greed, drugs, passion,desire, love, wealth, secrets, seduction..family, tragedy…choices. Protagonist Mikey searches for alluring good life in an underworld where antagonist Fabian holds all power. Younger brother, Kevin, wants in, against Mikey’s will. Forced to choose between family and the good life, what will Mikey choose?