Spain, 1960. French student Monique Roumette lives in Madrid on a scholarship. Thanks to a friend who works in the production company Uninci, she has the privilege of attending the shooting of Viridiana, a film directed by Luis Buñuel.
A cop investigating the suspicious death of a Muslim finds out that his own wife has become possessed by the young man’s ghost!
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
An anthology of nine horror shorts filmed under the social distancing and self-isolation requirements of the COVID-19 outbreak.
A Harvard man fights a railroad baron with a disguise and the power of the press.
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
The lovesick Doctor Proctor has traveled back in time in a desperate attempt to alter history. He wants to stop the wedding between his beloved Juliette and the terrible Claude Cliché, but is trapped in time. Lise and Bulle have to help him back.
An unremarkable Russian town holds some terrible secrets. The simple working guy Lyokha gets acquainted with the beautiful Masha. She shows him photos that he cannot remember. Lyokha goes to see his father, but finds out that the latter died several days ago. The father left lots of mysterious notes, but a local gang and a mysterious visitor from Moscow are after them. You find out everything if you remember!
Japan is a country of steep mountains surrounding wide flat plains where people have lived for thousands of years. On the largest plain lies the country's largest freshwater lake, Lake Biwa, which is not at all far from Japan's ancient, capital city of Kyoto. The slopes that stretch down towards the lake have been terraced. Here rice seedlings need shallow water in which to grow, and the neat, meticulously constructed paddy fields provide just this. Some of them have been cultivated continuously for thousands of years. Alongside them stand patches of woodland where, for centuries, the people have found their fuel and their food. This is a land that has been touched by people, yet the people tread lightly upon it. It's a land that has been ruled for centuries by the demands of the rice, yet it's still dominated by the rhythmic cycle of the seasons. Here is a landscape that the Japanese people hold so close to their hearts that they have a special word for it: Satoyama.
Assistant Pastor Josef Mohr arrived in Oberndorf in 1818. In a time of political upheaval and economic hardship he writes a Christmas carol together with the teacher Franz Gruber. The main roles in Franz Xaver Bogners fictive history of the most famous Christmas song in the world "Das ewige Lied" play Tobias Moretti, Heio von Stetten and Erwin Steinhauer.
Kevin is annoyed that he has to spend his afternoon teaching his Grandma how to use the World Wide Web, so he decides to leave it to herself to learn. However, with only a few instructions left by her Grandson, Grandma accidentally deletes the Internet. While Grandma sits quietly at home with no knowledge of what she has done, chaos and destruction begin to arise as many struggle to come to grips with their current offline status, including an online gamer in France, a pretentious Canadian Internet expert, a high tempered American President trying to find the source of the problem, and many more from around the world.
In a circus, visitor who has just fallen for the “gypsy” dancer Militza is stabbed by a jealous clown, Bajazzo. Militza escapes to the country village of Marienhagen, finding shelter in the house of a local Catholic priest. The priest also falls for Militza. When he is subsequently struck dead by a bolt of lightning one evening during Mass, his mother blames Militza and has her cast out of the village. Militza joins a theatrical troupe whose married leader is disappointed with the general lack of artistic talent and begs Militza to leave with him. Militza refuses, and instead flees on her own. Onboard a ship, she is surprised to encounter the leader of the troupe again. The ship sinks, he dies. She is rescued by a nobleman who takes her to his country estate. Here she finds peace and true love. When the dead priest’s vengeful mother learns that Militza is alive, she kindles fear and superstition among the villagers, who stone Militza to death.
A young vivacious Parisienne of African descent, dreams of becoming a fashionable hairdresser after graduation, but her aspirations clash with the traditional views of her family who forces her to marry a man she does not love. Fortunately, a friend comes to her aid.
The Nicaraguan border in the eighties. Eleven-year-old Claudia and her younger sister experience the street fighting at first hand outside their car window. Their parents are Sandinista activists and, although the family is now escaping to neighbouring Costa Rica, the struggle continues. Their parents fire off terse commands and the girls are packed off to their relatives. The film focuses on the point of view of the two sisters, who are very close, as they learn more than they are able to cope with, but too little really to understand. A revolutionary struggle, seen through the eyes of children.
A fled Tango show owner returns to Buenos Aires to join his partners after the oppressive government of Argentina has dissolved.
In this film, four key witnesses, who live in Algeria today, as full-fledged Agerians, show us what this colonization was really like, so "beneficial" that they themselves perceived it as the oppression of one people by another. Three of them, who today would be called "pieds noirs," in other words, those Europeans to whom France, the occupying power, gave the best land, taken from the indigenous populations, work, and exclusive rights, not shared by the entire population, lived rather well compared to the majority of the "natives." The fourth was far from all that and lived in Argentina. Annie Steiner, Felix Colozzi, Pierre Chaulet, and Roberto Muniz explain to us what led them to show solidarity with the struggle of the weak, the humiliated, and to risk their freedom and their lives by committing to liberate Algeria.
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