Istrione o figurante? (2014)

RETURN

‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.

Return

A young couple purchase their new home to start a life together, only to find out the elderly couple next door have other plans for them.

Return

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

Return

Return

A horror short with no dialogue (Advised to watch with headphones)

Return

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Return

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

Return

A young woman was buried alive with the intention of killing, but she survived by chance. hears the cries of her little girl and fights to stay alive for her daughter. But this incident will enlighten a new worldview for her.

Hot Wheels AcceleRacers: The Ultimate Race

The Teku and the Metal Maniacs put aside their usual competitive instincts and work together in order to save a fellow driver and the AcceleChargers, which are in danger of falling into the hands of the evil Racing Drones.

1-2-3

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Creep 2

After finding an ad online for “video work,” Sara, a video artist whose primary focus is creating intimacy with lonely men, thinks she may have found the subject of her dreams. She drives to a remote house in the forest and meets a man claiming to be a serial killer. Unable to resist the chance to create a truly shocking piece of art, she agrees to spend the day with him. However, as the day goes on, she discovers she may have dug herself into a hole from which she can’t escape.

A Taxing Woman's Return

Ryōko Itakura returns as the tough-as-nails government taxing agent. This time she must figure out a way to expose a fanatical religious cult lead by a corrupt sociopath.

Suck Me Shakespeer 3

A bank robber becomes a teacher after being released from prison and finds himself at the center of a number of crazy adventures.

Meus 15 Anos

A shy student suddenly becomes the center of attention when she wins a huge birthday party that she never asked for.

Smosh: The Movie

An embarrassing video of Anthony surfaces online right before his fifth high school reunion. The Smosh dudes then race to pull down the clip before it blows Anthony's chances of reconnecting with his teen crush Anna.