In this comedy, the marital conflicts between a meek banker and his nagging wife are chronicled.
Aspiring director Eddie moves from the Midwest to Los Angeles, where he rooms with his cousin and attempts to establish himself in advertising — but he doesn't have much luck. Seeking something worthwhile, Eddie decides to shift his focus to looking for love through a video dating service. He goes through one bad date after another, but the only thing he finds interesting about the service is Peggy Kellogg, one of the employees.
Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Lafras Verwey (58) has worked as a clerk in the Civil Service in Pretoria for thirty years. By day he sorts files and whiles away the mundane hours writing grandiose propaganda speeches and drilling imaginary platoons in the washroom, but unbeknownst to his colleagues he is also a clandestine parcel courier for a secret organization that recruited his services to complete their covert mission.
Reclusive middle-aged male nurse Mauro may be in over his head when -- to save his hospital job -- he agrees to accompany 10-year-old illegal immigrant Eddi to meet his adoptive parents at the Swiss border. Along for the ride is a laconic small-time mobster named Rollo, and problems soon ensue in the form of car trouble, a Bulgarian hooker and her pimps.
After a conflict with his boss, a newspaper editor dives deep into the festering streets of Manhattan to find a way out of this toxic newspaper game.
Captain Samuel Allis must deal with the consequences of his decision to trade American military secrets with a Russian mobster.
This project was initiated in the winter of 2020 and lasted about two years. I was compelled to investigate the relationship between my body and animal bodies, especially those who are physically larger than myself, and who are not pets but rather those who live amongst their kind. Therefore my interactions with them were not based on a pre condition of habits such as petting or mutual care seeking. If there was touch or closeness, they were of a non scripted and unexpected nature. In the process of making this film I used a GoPro camera for its small size and because it doesn’t need to be held while shooting, so that the camera could be placed in various positions in relation to the animals bodies. This way I could capture the subjects from up close without causing them distress.
On a remote almost uninhabited island, there are two gently friendly representatives of the once opposing sides. They have long been accustomed to each other and do not expect any changes in life. And all of a sudden a woman appears on the island!
Dear Enemy tells the true story of the director’s grandfather who became friends with a German officer during the WWII German occupation of Albania while hiding a partisan, an Italian soldier and a Jewish watchmaker in his cellar.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
The story of whisky has been told many times. But this film takes a different view, showing how it has been shaped by geology and climate, by tales told on the side of the road and in the corners of pubs. Whisky is a product of folklore and myth, of music and alchemy, of chance rather than design. This is the twisting, shifting and multi-layered tale. In this journey through the lesser-known parts of Scottish whisky culture, we follow spirits writer Dave Broom on his quest to gain a deeper understanding of his national drink. While whisky has never been as popular, it is often seen in the context of being a brand which sits outside people’s lives. It’s often thought of as a drink which speaks of the past rather than engaged with a dynamic present.
In the peaceful hamlet of Dzuluk, a man is about to return to his wife of thirty four years, a marriage they have sustained mostly through letters.
Laura calls her boyfriend Fernando repeatedly to demand answers but he never picks up and it always goes to voicemail. Heartbroken, Laura returns to the park where they used to go jogging together.
A man's life is upended by increasingly threatening phone calls demanding he leave a review for a paperweight purchased online.
Director Allan King's 1981 drama, based on true events, stars Ellen Burstyn as a strong-willed woman struggling to survive with her family in the Canadian wilderness.
Various introductions corners, card games, quizes, 'Making Of', and concert 'Backstage Footage'.
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