Complications arise in a director's attempt to film a scene in Life, and Nothing More... (1992).
An 8-year-old boy must return his friend's notebook he took by mistake, lest his friend be punished by expulsion from school.
After the earthquake of Guilan, a film director and his son travel to the devastated area to search for the actors from the movie the director made there a few years previously. In their search, they see how people who have lost everything in the earthquake still have hope and try to live life to the fullest.
Hassan Darabi, a troublesome, amoral 10-year-old boy in a small Iranian town wishes to see the Iran national football team play an important match in Tehran. In order to achieve that, he scams his friends and neighbors.
In a quiet little French town, two detectives are tasked with investigating the brutal rape and murder of a preteen girl.
In the second of Rohmer's moral tales, he examines the relationship between two friends and a girl who at first appears easily exploited. It is a complex tale of feelings and misconceptions, acted out within the head of the main character, as part of Rohmer's attempt to more easily simulate the mindscape quality of literature within a film.
Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.
In their small village, seventeen-year-old Léo and his friends are crazy about makeup. Jules, Léo's older brother, doesn't share his sibling's passion, fearing he'll be the laughing stock among his gang of pals. The night of the village's "open theater" event, against Jules' advice, Léo walks on the stage dressed in drag.
A Russian emigre prides himself on the way he's molded himself into a real Yankee in the USA, though the world he lives in, New York's Lower East Side in the late 19th century, is almost exclusively populated by other Jewish immigrants. When his wife finally arrives in the New World, however, she has a lot of assimilating to do.
For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment, just like animals in zoos; a shameful, outrageous and savage treatment of people who were considered subhuman.
The precise portrait of a woman who is present and fey at the same time, who is as tired as she is courageous and who seems to have surrendered and emancipated at once.
A moment after a bottle of white shoe polish pours on Jerry, Tom hears on the radio that a white mouse, having swallowed an explosive, has escaped from an experimental laboratory and that slightest jar of the mouse could cause it to explode and blow up the entire city. It is then that Tom notices now-white Jerry and concludes it's the escapee.
After World War II, a woman refuses to believe her husband, missing on the Russian front, is dead. Flashbacks reveal their brief courtship and marriage. Years later, she travels to Russia with his photo, determined to find him. What will she discover?
A young, idealist American gets a job as a train conductor for the Zentropa railway network in postwar, US-occupied Frankfurt. As various people try to take advantage of him, he soon finds his position politically sensitive, and gets caught up in a whirlpool of conspiracies and Nazi sympathisers.
Two Navy men are ordered to bring a young offender to prison, but decide to show him one last good time along the way.
Fabienne is a star; a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir returns from New York to Paris with her husband and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed.
The story of a donkey Balthazar as he is passed from owner to owner, some kind and some cruel but all with motivations beyond his understanding. Balthazar, whose life parallels that of his first keeper, Marie, is truly a beast of burden, suffering the sins of humankind. But despite his powerlessness, he accepts his fate nobly.
A formal dinner party starts out normally enough, but after the bourgeois group retire to the host’s music room, they inexplicably find themselves unable to leave.
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