A group of four friends take the easy route to accomplish their dreams. Even when things go haywire, they try to find an easy way out but, fate has other plans for them and all hell breaks loose when their decisions go wrong.
Arun finally finds love in Swati after a long luckless search. They get married and soon their parents and their massive egos start interfering with their life. The problems worsen when a huge cupboard arrives as a gift from Swati's parents.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
Various introductions corners, card games, quizes, 'Making Of', and concert 'Backstage Footage'.
A jewel thief and a con artist are rivals in the theft of a valuable diamond and gem necklace in Bombay and as the Japanese Army invades China.
He's after a man who married for money. Insurance money.
A Greek tragedy told in Chinese pop music. The tragic events of a boat captain trying to collect a debt to save his fleet of boats, as remembered by his ten year old son.
A casual conversation leads a young man to face his inner demons in this beautiful yet haunting short.
A man spends an evening by the river
After a conflict with his boss, a newspaper editor dives deep into the festering streets of Manhattan to find a way out of this toxic newspaper game.
Eddie Marston is wealthy and kind, but his affairs are rapidly descending into chaos. Who can help him?
The first gaze. The italian who invented cinema. The story of the incredible and little-known life of the pioneer of Italian cinema, Filoteo Alberini. The reconstruction of the incredible life of the Italian pioneer, Filoteo Alberini, becomes the occasion for a reflection on the birth of Italian cinema and, more generally, on the Seventh Art and its nature as the "magnificent obsession". A journey in the company of an exceptional storyteller, guardian par excellence of cinema's forgotten ones, Georges Méliès, who conducts an investigation of this figure, practically unknown in our present day.
The movie, and true story, is about how Harold began working for the garbage industry in New Jersey only to find out that it was run by the Mafia. Having been in and out of jail most of his life, Harold feared more jail time and so went to the FBI. Harold went undercover to get as much illegal information that he could. The information he got helped put away dozens of Mafia men. Harold is currently in the witness protection program.
The last film in Vidokle's trilogy on Cosmism is a meditation on the museum as the site of resurrection-a central idea for many Cosmist thinkers, scientists and avant-garde artists. Filmed at the State Tretyakov Gallery, the Moscow Zoological Museum, The Lenin Library, and the Museum of Revolution, the film looks at museological and archival techniques of collection, restoration and conservation as a means of the material restoration of life, following an essay penned by Nikolai Federov on this subject in the 1880s. The film follows a cast comprised of present-day followers of Federov, several actors, artists and a Pharaoh Hound that playfully enact a resurrection of a mummy, a close examination of Malevich's Black Square, Rodchenko's spatial constructions, taxidermied animals, artifacts of the Russian Revolution, skeletons, and mannequins in tableau vivant-like scenes, in order to create a contemporary visualization of the poetry implicit in Federov's writings.
Intertwining stories of inmates and ex-inmates through the complex labyrinths of freedom. Wretched, desolate and doomed men, who try to expiate their sins and piece together the lives they used to lead.
Bosko and Bruno go to Honey's house where she shows him a picture of the Three Musketeers. Bosko tells her a story of himself as a Musketeer and Honey as a dancing girl. He fights a villain with swords over Honey and wins. The real Honey finds the story hard to believe.
Immersed in the vertigo of moving bodies: animated painting brings out a strong and sensitive bodily presence in the dancers.
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