Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine.
The philosophical tale revolves around an elderly monkey prince who wakes up injured and disoriented in an environment he does not recognise. He navigates this new urban world with the support of a young monkey called Tom.
A young girl whose father is an ex-convict and whose mother is a junkie finds it difficult to conform and tries to find comfort in a quirky combination of Elvis and the punk scene.
Danesh works in a barbershop and dreams about becoming an actor. Manfered is an agent who would introduce Danesh to a famous director if he collects enough long hairs to be used as wigs. At the same time a series of murders have worried everyone. Who is the killer and is the barbershop in any way related?
Stoic truck driver Jinpa picks up a silver dagger wearing hitchhiker in the desolate Kekexili plateau. The stranger suddenly reveals he’s going to kill the man who murdered his father.
Fanny, a single woman in her mid-thirties, has had enough of relationships that don't work, so she decides to seduce Paul, a colleague from the office, into a brief one-night sexual encounter. Everything is prepared when Paul arrives, but then, thanks to Fanny's clumsiness, things don't exactly work out as planned...
Santa Claus tries to outrun a gang of knife-wielding youth. It's one of several vignettes of Palestinian life in Israel - in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in the hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn't.
This bittersweet comedy follows North-east Indians in Delhi who are attempting to organize a wedding party, but soon find everything going wrong.
Hong Kong as seen through a cab window. Inhabitants discuss their lives, problems and dreams as they are driven to their destination through the chaotic streets of Hong Kong.
A rather regular state official, who works at the building authority, becomes a puppet of a few super rich. They want to make quite a lot of profit from a planned large-scale building project. Quicker than anticipated, the father-to-be gets surprised by a couple of amenities and notices that life isn’t too bad in the sphere of these semi-legal affairs. Soon, however, he has a prosecuting attorney on his tails and has to decide himself for a side.
Artemis, a single 24-year-old living in Paris, France, receives a frantic phone call from her mother—her father Paris is in the hospital and she must return home to Athens to care for him. Resentful of the tasking as she grew up estranged from her father, she becomes reacquainted with him over one emotional summer, learning the secret as to why their relationship was stifled when she finds out Jacob, Paris' friend, who's been always around from her childhood, was actually her dad's lover.
In a remote Icelandic town, an off duty police chief begins to suspect a local man to have had an affair with his wife, who has recently died in a car accident. Gradually his obsession for finding out the truth accumulates and inevitably begins to endanger himself and his loved ones. A story of grief, revenge and unconditional love.
Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.
Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.
Between scenes from his concert in São Paulo's oft-inaccessible Theatro Municipal, rapper and activist Emicida celebrates the rich legacy of Black Brazilian culture.
During the late 1990s, a busy working-class Singaporean couple hires a Filipino woman as a maid and nanny to their young son.
A 28-year-old single woman is pressured to marry.
1779. Eight-year-old Ludwig van Beethoven, called "Louis", is already known as a musical prodigy. He learns to go his own way - much to the dismay of the people around him. Some years later, he meets Mozart during times of political upheaval. The unconventional genius and French Revolution are sparking a fire in Louis' heart; he doesn't want to serve a master - only the arts. Facing times of family tragedies and unrequited love, he almost gives up. However, Louis makes it to Vienna to study under Haydn in 1792, and the rest is history. Who was this man, whose music has since touched countless hearts and minds? At the end of his life, the master is isolated by loss of loved ones and hearing. Surely though, he was way ahead of his times.
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