A student of the occult encounters supernatural haunts and local evildoers in a village outside of Paris.
Things are busy at the Paris hospital where young psychiatrist Jamal and his colleagues work. The place is run down, the staff are exhausted, budgets are constantly being slashed. You know the story, but you’ve rarely seen it conveyed as engagingly as in ‘On the Edge’, which employs a handheld camera and meaningful, artistic interventions to observe the daily routine at the psychiatric ward. The deeply sympathetic Jamal is an everyday hero with an exemplary, humanistic disposition, for whom the most important prerequisites for mental health – and for a healthy society in general – are good relationships with other people. He puts his philosophy into practice by listening patiently, giving good advice and organising theatre exercises based on Molière. Realism and idealism, however, are in balance for the young doctor, at least as long as the institutional framework holds up.
Anne Schuyler is an upper-crust socialite who bullies her reporter husband into conforming to her highfalutin ways. The husband chafes at the confinement of high society, though, and yearns for a creative outlet. He decides to write a play and collaborates with a fellow reporter.
Henry Jekyll is a young science student who, along with his friend Mary, experiments with various drugs and compounds in order to create a personality-enhancing drug that he believes will turn him into the successful and popular person he so craves to be. But after testing the drug on Mary and himself, Jekyll discovers it has horrific consequences - ones that he might not be able to control.
The owner of a small-town junkyard offers a cash reward to whomever can kill her uninvited, space-suited alien guest when its spacecraft crash-lands into her barn. Every wacko within 100 miles turns out, and before long, the junkyard is transformed into a war zone of man vs. man vs. machine vs. alien vs. God only knows what.
Given a second chance after her arrest for prostitution, Mae decides to go straight. Mae is soon befriended by kindly cab driver Jimmy Doyle who gets her work at a diner, where she meets Gert, another former prostitute. Mae and Jimmy fall in love, marry and save to buy a small business. Gert then pleads for money from Mae, which results in her unwitting involvement in a crime. Believing Mae has lied and cheated him, Jimmy threatens to leave her.
A New York fashion model finds herself being pursued by a poor but honest garage mechanic and a rich philanderer.
A man happens upon a painting of his long deceased ex-wife, and soon he and his family find themselves reacquainted with her bloodthirsty ghost.
In September 2012, the tiny prairie town of Leith, North Dakota, sees its population of 24 grow by one. As the new resident's behavior becomes more threatening, tensions soar, and the residents desperately look for ways to expel their unwanted neighbor.
A Taoist former cop is called to Hong Kong to assist in the investigation of of a series of strange murders. Aided by two local officers, he runs afoul of an evil sorceress.
Michel Simon gives one of the most memorable performances in screen history as Boudu, a Parisian tramp who takes a suicidal plunge into the Seine and is rescued by a well-to-do bookseller, Edouard Lestingois. The Lestingois family decides to take in the irrepressible bum, and he shows his gratitude by shaking the household to its foundations. With Boudu Saved from Drowning, legendary director Jean Renoir takes advantage of a host of Parisian locations and the anarchic charms of his lead actor to create an effervescent satire of the bourgeoisie.
The true story of Saartje Baartman, a black South African worker who moves to London with her master in the early 19th century. Although she dreams of being an artist, once in Europe she is exploited as a sideshow attraction due to her large buttocks and genitalia.
Realizing the urban legend of their youth has actually come true, two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their disappearances.
A woman prepares for bed, but realizes that something may be lurking in the shadows.
An obsessed scientist conducts profane experiments in evolution, eventually establishing himself as the self-styled demigod to a race of mutated, half-human abominations.
Marie is a vampire with a thirst for bad guys. When she fails to properly dispose of one of her victims, a violent mob boss, she bites off more than she can chew and faces a new, immortal danger.
Set in Fascist Italy before the outbreak of World War II, the story centers on Tunin, a farmer turned anarchist who stays in a brothel while preparing to kill Benito Mussolini.
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.
A jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.
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